Last week I acquired a set of the new high CRI FoxFury Rugo 2’s. Although I was first introduced to the Rugo as a tool for UAS flight and photography, these new hi CRI Rugo 2 units captured my interest and excitement. I’ve purchased several sets of the older Rugos (5700k) units, and they’re terrific for drones or basic, backfill, accent, or action cam lighting. They’re a bit too cool for scene lighting without corrective gel or filters. The CRI rating of the Rugo 2 is 92, which displays color more accurately and naturally than other LED lights.
Having access to these new Rugo 2 lights with the high CRI was exciting, as they represented yet another “shrink” in my portable imaging kit. The size is the perfect tool for keeping on the camera full-time, whether shooting video or photos. Flashes aren’t always optimal for size, space, nor balance and the Rugo 2 allows everything to come together for the ideal compact system.
My first experience with the high CRI Rugo 2 instruments was in setting up a product shot and I was immediately knocked out at how quickly the shot came together. Before I laid out my plans for a product shot, I tested the Rugo 2’s on a toy that has a broad dynamic range (seen below in the unedited Pixel 3-captured images). One aspect that greatly impressed me was that regardless of battery status, the color did not shift (as common with most low-cost LED systems). The lights also run very cool to the touch, even after being powered up for three hours.
Liking what I saw in the final test images I decided to try them on a video interview, and again, impressed with the final result of the evaluation.
The lights pictured below are supported by very inexpensive, extremely lightweight flash stands typically found in a photographer’s kit, vs a videographer’s kit. They are essentially disposable at a cost of around $15.00 each, but are easy to pack on a plane. The Rugo is sitting on a ball swivel, the same type one might put a flash head. This allows the Rugo 2 to tilt and angle.
One of the features that makes the Rugo 2 so flexible is that the Rugo 2 has three lenses, aka “Tri-Lens®” technology. These three lens positions allow for a tightly-focused spot light, diffused, and flood light from one instrument. The lens may also be removed for situations where control isn’t critical. Removing the lens also offers a slightly more powerful light beam.
When the battery is expired, the Rugo 2 has a clip/lever that allows the battery pack to be removed, and a fresh battery connected. This ensures wait-free production. For me, this was a huge step up, given the other battery powered instruments I’d worked with all have internal batteries, which required re-charging before use. Batteries are inexpensive, and I recommend having a few spares on hand if the shoot is expected to go beyond three hours. Additionally, the Rugo’s flash for purposes of anti-collision lighting on a drone/UAS system. Battery life is dependent on intensity, but generally runs in the 3, 2, 1 hour lifespan. On the lowest setting, the batteries may last as long as 6 hours. Recharges take approximately 2.5 hours, but charge faster when using upgraded USB charging systems and cables.
The Rugo 2comes with a standard quarter/20 mount, as well as a Go-Pro style mount. Additional mounts are available for various kinds of drones, bikes, etc.
The high CRI Rugo 2 also has a new power button; (look for the orange switch) this means that the instrument not only provides strobing, but also can be put in 60 feet of water, making it ideal for the underwater photography or underwater accent lighting kit. They are so small, I carry a couple in my day-to-day backpack for accent lighting, primary lighting when shooting with my mobile phone, and for when I need a flashlight.
For years, we drove around a production van similar to this one from my friends at New York Rentals. Essentially a five-light kit, three cameras/tripods, and sound kit, this required a van filled to the roof with gear. We also had a 6K lighting system that carried in a 14′ box truck with distribution and lunchboxes. With the Rugo2, those days are long gone.
These new Rugo 2’s from FoxFury enable me to carry essentially the same amount of lighting power and flexibility in a small case that can be carried on to any airplane, or carried on my back as a backpack, with a similar five lights, four-channel audio kit, three cameras/tripods, and a few assorted gels, C47’s, and small accessories in one kit/case.
While I was in New York teaching a class on drone imagery, it was fun to meet one of the Fire Department New York staff photographers, and I noticed on her belt, a Rugo 2 light as well.
Comparing notes, we both found how much we appreciated the small size, long battery life, and multi-lens, multi-intensity options of this new lighting instrument. She commented on the durability noting “I dropped this thing down a 75′ elevator shaft, and it didn’t miss a beat, and even provided some interesting back lighting while I was shooting.” It’s true the Rugo 2 light, like all FoxFury products, are made for durability.
For the corporate producer, these lights are ideal for small in-office interviews, headshots, product shots, underwater glamour, and many other creative spaces. I simply cannot imagine going back to large-package light kits weighing over 80lbs when I can carry five FoxFury Rugo 2 instruments, and five stands in a backpack weighing less than 10lbs while achieving not only the same amount of illumination, but more valuable are the greater options with the lenses, intensities, and swappable battery packs.
Watch for a video coming soon on the video viability of the FoxFury high CRI Rugo lights!
Here are some photos from a recent Photowalk I did with the WPPI folks, with all lighting from the Rugo 2’s.
Mobile Phone grabs from a by-stander (apologies for out of focus areas, I didn’t shoot these, they are courtesy of someone on the photowalk)